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- May 27, 2016
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There is such a lot of stuff to know about having the metal arrive at a colour, but not so much about the actual properties. "Cold blue" solution as favoured by Quinn Dunkie (Blondihacks), for example. Is it all simply decorative?
As I understand it, blueing and blackening processes that involve generating a magnetite layer on steel are the ones that provide corrosion protection, basically because the oxidation layer reaches a thickness where further rust-type oxidation becomes self-limiting. The layer will absorb oil, so oiling afterwards gives considerable protection.
Pretty colours seen during heat processes, that straw colour indicating a tempering state, the blues and violets, are all about the thickness of oxide layers so thin, they are transparent, but produce the colours in the same way as happens in soap bubbles. This is by wavelength interference of incoming light with in-layer reflected light. The stainless steel flue over my woodburner has a great display of repeated rainbow spectrum colour rings which travel upwards every year, to re-start the rainbow sequence, as the oxide layer thickens from heat through each successive quarter-wavelength.
I don't know the detail on what mechanism traps black when quenching in oil, but I am not thinking it's carbon. It seems to be a different sort of oxidation happening on the surface while heating before quenching, and we can't see it because it is glowing red.
On steel, interference type colours on surface oxide are too thin have much anti-rust properties. All the recipes I see for "gun blueing" and the like do seem to depend on getting up an oiled layer of something durable. Whether it was applied from someone's proprietary paste, or by boiling in alkali after quenching, the aim seems to be getting up a nice colour, blue or black, and rubbing oil into it.
[Edit: Hmm - good ole' Wikipedia says quite a lot! --> https://en.wikipedia.org/wiki/Bluing_(steel) ]
As I understand it, blueing and blackening processes that involve generating a magnetite layer on steel are the ones that provide corrosion protection, basically because the oxidation layer reaches a thickness where further rust-type oxidation becomes self-limiting. The layer will absorb oil, so oiling afterwards gives considerable protection.
Pretty colours seen during heat processes, that straw colour indicating a tempering state, the blues and violets, are all about the thickness of oxide layers so thin, they are transparent, but produce the colours in the same way as happens in soap bubbles. This is by wavelength interference of incoming light with in-layer reflected light. The stainless steel flue over my woodburner has a great display of repeated rainbow spectrum colour rings which travel upwards every year, to re-start the rainbow sequence, as the oxide layer thickens from heat through each successive quarter-wavelength.
I don't know the detail on what mechanism traps black when quenching in oil, but I am not thinking it's carbon. It seems to be a different sort of oxidation happening on the surface while heating before quenching, and we can't see it because it is glowing red.
On steel, interference type colours on surface oxide are too thin have much anti-rust properties. All the recipes I see for "gun blueing" and the like do seem to depend on getting up an oiled layer of something durable. Whether it was applied from someone's proprietary paste, or by boiling in alkali after quenching, the aim seems to be getting up a nice colour, blue or black, and rubbing oil into it.
[Edit: Hmm - good ole' Wikipedia says quite a lot! --> https://en.wikipedia.org/wiki/Bluing_(steel) ]
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